Though he grew up amid segregation, he said he always liked to think of himself as “color blind” and wrote of memories of friendly faces and people sitting out on their porches. “We were poor people living in the projects, but we didn’t know it because we were all in the same boat,” he wrote of his upbringing in a Houston housing project built in the 1950s. His heritage was mixed: Irish on his mother’s side and potentially Native American on his father’s because of his grandmother, Della Rogers. 21, 1938, in Houston, the fourth of Edward Floyd and Lucille Lois Hester Rogers’ eight children. I could never properly thank them for the encouragement and support they’ve given me throughout my career and the happiness I’ve experienced as a result of that.” “I’ve thoroughly enjoyed this opportunity to say farewell to the fans over the course of the past two years. “I didn’t want to take forever to retire,” Rogers said in his 2018 statement.
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Rogers’ farewell retirement tour, the Gambler’s Last Deal, was cut short in 2018 so that the singer could “work through a series of health challenges.” He had another health scare in May 2019 that landed him in the hospital for dehydration. “I think I’ve had the beauty of this career, and the beauty of getting to know you guys daily out on the road, and watching you kids grow up with me.” “Not many people get to see the end of the rainbow, and I think I have,” Rogers said. He went on to marry Jean Rogers 1960 (they split in 1963), Margo Anderson in 1964 (they split in 1976), Marianne Gordon in 1977 (they split in 1993) and finally Wanda Miller in 1997. Rogers married Janice Gordon in 1958, who, as the story goes, became pregnant when Rogers lost his virginity at 19. Upon announcing his initial retirement in 2015, Rogers vowed not to make the same mistake with his twin boys, Justin and Jordan, whom he had with his fifth wife, Wanda Miller. He disconnected with his wives and young children, but took responsibility for that later in life. Staying on the road six months at a time without going home during his early marriages was among those selfish acts. He admitted to crossing that line many times. “There’s a fine line between being driven and being selfish,” Rogers wrote in his bestselling 2012 memoir, “Luck or Something Like It.” His husky voice conveyed the heart-wrenching tales of “Lady’s” knight in shining armor, the advice-dealing “Gambler” and “Lucille’s” lovelorn husband left with four hungry kids and a crop in the fields.īut that success, he repeatedly said, came with a steep price. Kinder reviews of his shows in this newspaper described Rogers “singing with musical understanding, subtlety and warmth” and another calling him “the kind of performer who generates undying, all-accepting love from his listeners.” (Kenny Rogers Roasters was referenced and ridiculed in shows ranging from “Seinfeld” to “Fresh Off the Boat.”) Rogers toed the line between risk-taking artist and crowd-pleasing performer, earning rave reviews from fans but the frequent critical ire of reviewers hoping for a fresh take on his classics.
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After that, they wanted me with everything they had.”Īt the height of his success, Rogers was a staple on the country-music charts, starred in TV movies and even fronted a fast-food chain bearing his name. I put an earring in my ear and wore sunglasses. I let my hair grow, I grew a beard - I got that from Dan Haggerty, the actor who was on TV at the time, and I liked the way he looked. “I was three or four years older than all of them,” Rogers said in 2014. When he started out in his first group, the First Edition, he was the oldest member. He modeled his aesthetic after “Grizzly Adams” star Dan Haggerty for a particular reason.
Rogers believed he took country music to a mainstream audience, and he was instantly recognized for his signature look: a neatly trimmed beard, a shock of silver hair and flared shirt collars. “I never meant to do that, but on some of the songs through the years, like ‘She Believes in Me’ or ‘You Decorated My Life,’ those are not country country songs.” And I think, to some extent, I ‘popped’ it so much that it lost some of the pain,” Rogers told CMT in 2012. Coming up in an era when Johnny Cash, Waylon Jennings and Willie Nelson shaped the heart of the genre, Rogers remained a firm believer that country music was “the white man’s rhythm and blues.”
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